Ealy June gift, Allison is on the cover of Who What Wear and we have a new article and photoshoot. I absolutely adore these new photos, she looks better than ever and it’s just a beautiful set of photos. Check them out and also read the article below. Enjoy!
Before Allison Williams became known as TV’s cringiest hipster you love to hate, Marnie Michaels on Girls; or the most spine-chilling on-screen sociopath of 2017, Rose in Get Out; or the quasi-homicidal Charlotte in Netflix’s brand-new psychological thriller The Perfection, she was just a smiley-faced kid who loved to perform. “I was definitely a ham when I was younger,” Williams tells me as a server in crisp linens refills our iced teas at the Sunset Tower in West Hollywood, California. “Everyone around me was like, ‘Yep, that’s an actress. We are screwed.’”
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Allison is on the cover of The Sunday Times Style and not only we got a new gorgeous photoshoot but a great article/interview. She was photographed by Bjorn Iooss, which makes me so happy because he’s one of my current favorite photographers. You can check out the article and outtakes below! Enjoy!
People used to come up to Allison Williams in the street all the time, expectantly, certain they knew exactly what she would be like. They had watched her as Marnie Michaels from Girls and, because they knew the character, they felt like they really knew her. “It was a total familiarity thing. I’m Marnie’s age,” Williams says of the prim and privileged, tightly wound millennial. “So the people coming up to me were also my age. It felt like we could play the name game and we could come up with people that we knew in common. It always felt like, ‘Oh, you just went to SoulCycle and now you’re at [frozen yoghurt chain] 16 Handles and we get each other.’”
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Yesterday, Allison’s new film ‘The Perfection’ began to stream on Netflix worldwide. I’ve already watched it twice and let me tell you that is wild! Below you can check out a few reviews of the film. Currently, with 39 reviews it holds a 82% score on Rotten Tomatoes.
WARNING! The movie has many topics and scenes that could be triggering to a certain audience. if you’d like to see the triggers warnings click below.
Williams is an ideal lead for such narrative sleights of hand. As in “Get Out,” the picture benefits from her particular skill at hiding her secrets, of putting on a brave face or a sincere voice without giving away her real game.
THE NEW YORK TIMES
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Williams brings a bit of both of those roles to The Perfection, a Netflix thriller marinating in a potent blend of high art gloss and gloriously low grindhouse-lite sleaze. The Get Out girlfriend, however, is one that persistently bubbles to the front on your brain and keeps you on your toes. It’s impossible not to view her character Charlotte through Rose-colored glasses — you immediately find yourself wondering what, exactly, she’s up to and when the other shoe will hit the floor. There’s a certain quality of watchfulness and wiles-using Williams brings to this damaged, possibly deranged protagonist that suggests instability hiding behind her shiny hair and perfect teeth. She looks like the movie’s resident scream queen. She might also be its in-house serial killer.
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Continue reading “The Perfection on Netflix (Reviews)”